from October 10 till November 21, 2015 / Lo Savio-specific Performance, collective exhibition “In che senso Italiano”,  Bibo’s Place, Todi, Italy I interpreted Francesco Lo Savio’s (1935/1963) body of work as the continuous attempt to move away from the zero degree of matter, from the (existential?)void that in his practice seemed absorbing all light and depth. … Continue reading apparato di cattura (apparatus of capture) / 2015